Now That Was a Weekend
I frequently explore using very few elements in a work of art, and this is a case in point. It's a large print on paper, 27 by 40 inches.
Aperçu
I frequently explore using very few elements in a work of art, and this is a case in point. It's a large print on paper, 27 by 40 inches.
Horror Vacui
I frequently explore using very few elements in a work of art, and this is a case in point. It's a large print on paper, 27 by 40 inches--the size of an old-fashioned movie theater "one sheet."
Saltant
This is from my Dictionary Series, which explores some of the conundrums of meaning in artwork, and language. It's a large print on paper, 27 by 40 inches--the size of an old-fashioned movie theater "one sheet."
Mr. Littlehead
This is a large print on paper, 45 by 36 inches.
John The Baptist
This assemblage of mine was on display at the Slusser Gallery at the Stamps School of Art at the University of Michigan, this past summer, in a juried show.
Mask
This is a digital collage I made, using public domain images, and designs and patterns I created myself. It's a good, dramatic size at 40 by 27 inches--the size of an old-fashioned movie theater "one sheet."
High Water Mark
This is a collage consisting of envelopes, maps, cuttings from books, and spray paint.
Rulers and Rockers
This is straight, unaltered photograph of a large still-life arrangement. It includes painted sections of canvas, painted wooden sticks, mirrored mylar, and collage elements.
Silhouette, Red
Over the years I've made many artworks utilizing this peculiar silhouette, from a commercially available drafting template. This includes 100% rag acid-free paper, acrylic paint, and spray enamel primer.
Silhouette, Baroque
Over the years I've made many artworks utilizing this peculiar silhouette, from a commercially available drafting template. This includes 100% rag acid free museum board, acid free glue stick adhesive, and a portion of commercial book endpaper.
A Guy You Must Not Monkey With In Any Respect
This is one of the many collages I have made. The title is from a line in a Damon Runyan story. It's 20 by 16 inches, on 100% rag acid-free museum board. The adhesive was acid free glue stick, and the lettering was done by hand in pencil.