This is an example of some of my most recent work using digital techniques to produce spare and tidy collages. It's a print on paper, using archival inks, 40 by 27 inches.
This is one from a much larger series of spare and tidy digital collages I've been working on recently. It's a print on paper, using archival inks, 40 by 27 inches.
I've used this figure, of the man I call "Mr. Littlehead," in a number of pieces. The image recalls old movie elegance, and the trope of the successful man. It's a print on paper, using archival inks, 40 by 27 inches.
I love the little curved arrow. This is a print on paper, using archival inks, 40 by 27 inches.
This is printed on paper using archival inks, 40 by 27 inches.
I frequently explore using very few elements in a work of art, and this is a case in point. It's a print on paper, using archival inks, 40 by 27 inches.
This is a print on paper, using archival inks, 45 by 36 inches.
This assemblage of mine was on display at the Slusser Gallery at the Stamps School of Art at the University of Michigan, this past summer, in a juried show.
This is a digital collage I made, using public domain images, and designs and patterns I created myself. It's a good, dramatic size at 40 by 27 inches.
This is straight, unaltered photograph of a still-life arrangement. It includes painted sections of canvas, painted wooden sticks, mirrored mylar, and collage elements. I made a series of 25 similar images, some of which I've printed 4 by 5 feet! They've been exhibited all over the country, including in a two person show, with a catalogue, at The Mitchell Museum in Mt. Vernon, IL.
This is one of the many collages I have made. The title is from a line in a Damon Runyan story. It's 20 by 16 inches, on 100% rag acid-free museum board. The adhesive was acid free glue stick, and the lettering was done by hand in pencil, using a stencil.